Home | Search | Login
Hoy April 20, 2014, 12:50 am Havana time.
Hide Menu
12/04/13 - Havana Times - Another Gay Film Made in Cuba 

Isbel Diaz Torres

Carlos Enrique Almirante in Fatima. Photo: Cubadebate

HAVANA TIMES - A new local film titled "Fatima, or Fraternity Park"
("Fatima o el Parque de la Fraternidad") is about to be released in Cuban
theaters, a new addition to the shy list of Cuban films dealing with gay

Renowned actor and director Jorge Perugorria (who played a homosexual
intellectual in Tomas Gutierrez Alea's unforgettable "Strawberry and
Chocolate") is the director of this new feature, based on the story
"Fatima" by writer and government official Miguel Barnet.

The star-studded cast includes Cuban actors Broselianda Hernandez, Nestor
Jimenez, Mirta Ibarra and the highly talented Carlos Enrique Almirante, who
plays the lead Fatima, an angst-ridden transvestite.

I hadn't heard anything particularly interesting about the film until a few
days ago, when I read an interview with Barnet conducted by Arleen
Rodriguez and published on the Cuban webpage Cubadebate.

In the article, both the interviewee and interviewer try to convince us
that "Fatima" is not another "gay" movie. To do this, the journalist begins
her interview asking directly about that one point.

"Not at all," Barnet declared. According to Rodriguez, the writer replied
promptly and categorically.

Is there any particular interest in not presenting the movie as a gay film?
How many gay films have been made in Cuba? What are they afraid of?

Though I am not a defender of such superficial labels, I don't tend to get
angry over them either. I would have liked to have seen Barnet use this
popular expression and, rather than sweep it under the carpet, enrich it
somehow - something along the lines of: "Yes, it's a gay film, and, in
addition, it's also this and that." That would have been a more coherent

Barnet, however, stresses that "it is not a film or musical about
transvestites," and "this is not a film that deals with the gay issue in a
superficial or frivolous manner." Later on, however, he contradicts

"There'll be brief flashes of transvestitism, there'll be drama, there'll
be music", "these characters (....) endure one of the most terrible dramas
one can go through: not wanting to be the way they are", "wanting to be
different and never being able to reach that goal," "wanting to be women"
and the lead "has a relationship with a man."

Well, if these issues don't make this a gay film, then director Pedro
Almodovar should come over from Spain and explain it to me!

[1]Anti homofobia activity in 2012. Foto: Jimmy Roque Martinez

Anti homophobia activity in 2012. Foto: Jimmy Roque Martinez

I also don't understand the need to explain that the actors who play
homosexual men (Perrugoria, Almirante) are actually heterosexual. Why
clarify this? When homosexual actors play heterosexual men, is that detail
touched on in interviews? Is it necessary to point out, for instance, that
actors who play zombies aren't actually dead and don't really eat people?

I know it's hard to shed the homophobic attitudes that gnaw at us
(including members of the gay community). This is why it is always
important to point them out whenever they rear their ugly heads.

I also don't think it right that Barnet should refer to those who cross
dress as "unfinished, imperfect people who suffer greatly because they lead
mutilated, incomplete lives." I feel this only contributes to the
stereotypes about these identities.

Nevertheless, I respect his right, as a writer and artist, to freely
express his view on the issue.

To conclude, let's just hope that Perugorria does a better job in "Fatima o
el Parque de la Fraternidad" than he did in "Se Vende" ("For Sale") and his
other attempts at directing. I believe the story deserves it.


Visible links 1.

Original Source / Fuente Original: http://www.havanatimes.org/?p=100417


This server contains copyrighted material the use of which has not always been specifically authorized by the copyright owner. We are making such material available in our efforts to advance understanding of Cuba's political, economic, human rights, international, cultural, educational, scientific, sports and historical issues, among others. We distribute the materials on the basis of a 'fair use' of any such copyrighted material as provided for in section 107 of the US Copyright Law. In accordance with Title 17 U.S.C. Section 107. The material is distributed without profit. The material should be used for information, research and educational purposes. For more information go to: http://www.law.cornell.edu/ uscode/17/107.shtml.